Karen, our program leader, decided she was going to go to Pisa to see some art, and invited us all to tag along if we wanted to. Which was actually a really excellent idea, because Karen is an art buff, and so she could tell us all the stuff we even wanted to know about what we were seeing.
Four of my friends and I decided we'd buy tickets the night before we went to Siena. Someone had told us you could get train tickets at the bus depot, and since it's very conveniently located right next to where all our buses come, we figured, what the hey, we may as well get them now. Poor choice. We nominated my friend Simon (poor Simon...) who speaks the best Italian to talk to the lady. He asked for, "Un biglietto di treno per Pisa, in mattina, per favore," which means "One train ticket for Pisa, in the morning, please". Which the lady gave us, for €14 which confused us because we were told it was €7 one way. And it left at 7:10, and Karen said the train left at 9:20. But, we figured, she knows best. She knows we're foreigners, we asked properly for what we wanted. We must just be on an earlier train. Oh how silly of us.
After we'd all bought our tickets, we took a look at them, and realized that what we had were bus tickets. And not only that, but that they were for the Pisa airport. So we were on a super early bus to the wrong part of town. Yeesh. Luckily, we're all cool people and no one freaked out. Plus, Kate and I were told by a nice lady we met at dinner that it's easy to get to downtown Pisa from the airport - it's dirt cheap and takes almost no time. So the next morning, we were all up at 5:30 to catch the bus downtown and wait around for an hour for the bus to Pisa. Which was a lovely trip, except that at some point near the end, I realized our bus driver had been driving with little headphones on the whole time. Typical Italy.
Thus, we arrived and bought our €1 train tickets and got on the grungiest train for Pisa Centro, thinking that would be the city centre, somewhere near the tower. How wrong we were. We got off in some ghetto-y part of town covered in graffiti and kinda smelly. We walked to a sort of shopping lane and managed to figure out which bus we needed to get to il torre (the tower) and even bought bus tickets at the tabaccheria! We're grown ups and etc now.
Thus, we arrived and bought our €1 train tickets and got on the grungiest train for Pisa Centro, thinking that would be the city centre, somewhere near the tower. How wrong we were. We got off in some ghetto-y part of town covered in graffiti and kinda smelly. We walked to a sort of shopping lane and managed to figure out which bus we needed to get to il torre (the tower) and even bought bus tickets at the tabaccheria! We're grown ups and etc now.
I saw the tower first. It's in this green area called the Piazza dei Miracoli (so named because of some dude writer in 1910, not because any miracles happened there, as far as I can tell - unless you count Galileo discovering the Law of Falling Bodies) which includes a Duomo, a Baptistry, the Campo Santo and the famous leaning bell-tower. Of all of the things we saw, the bell tower was the least impressive - it was still awesome and I still paid the €15 to go up and look around (amazing view) but it was still the least cool of all the things we saw. It does lean. It made me a little dizzy/nauseated to climb up - it's a very strange feeling going round like that and also tilting. I sort of have weird feelings about the tower - I know it's famous for leaning, but I kind of feel like that's lame. I mean, it's popular for having a flawed design... So strange. Education time - for those of you who don't know, the story goes that Galileo dropped two weights off the Leaning Tower and proved that their falling speed was independent of their mass. Also known as, in a vacuum, everything falls at the same speed. SCIENCE.
But let's talk about the other stuff. First, let's talk about the Duomo. The Duomo is simply stunning. It's huge, first of all, and it's Medieval. Which Kate tells me means it only has two clear levels - later they started building more and more levels and just filling it with stained glass. Thus, this one is slightly darker, and it's columns are thicker. It's super detailed - the roof has all these inlaid panels that are über carved up with flowers and those baby angel things you see everywhere. The ceiling, the paintings, the carvings on the buildings. Which are called 'putti' from the Italian word for little boy, and which Kate pronounces 'POO-dee' and I think is literally the most hilarious word I have ever heard. They're all over the place. Later that night, after dinner, when we were all getting loopy over lack of sleep, Kate made me cry with laughter just repeating the word over and over and over. I don't know what it is, but it kills me every time. I foresee this being a problem.
But let's talk about the other stuff. First, let's talk about the Duomo. The Duomo is simply stunning. It's huge, first of all, and it's Medieval. Which Kate tells me means it only has two clear levels - later they started building more and more levels and just filling it with stained glass. Thus, this one is slightly darker, and it's columns are thicker. It's super detailed - the roof has all these inlaid panels that are über carved up with flowers and those baby angel things you see everywhere. The ceiling, the paintings, the carvings on the buildings. Which are called 'putti' from the Italian word for little boy, and which Kate pronounces 'POO-dee' and I think is literally the most hilarious word I have ever heard. They're all over the place. Later that night, after dinner, when we were all getting loopy over lack of sleep, Kate made me cry with laughter just repeating the word over and over and over. I don't know what it is, but it kills me every time. I foresee this being a problem.
But back to the Duomo - it's fantastic (and very gothic, I'm told). There's a huge mosaic of Jesus up at the front, and art all over the place. Mini art lesson for those who care: there was early baroque, late renaissance, and romanesque art. The baroque you can tell because of the diagonals, the bright colours, and intense shadows. Think of Rembrandt. But for me, the art often got overshadowed by the extraordinarily impressive architecture. I'm not Catholic (dur), or particularly religious, but Churches like this impress me immensely. It's like - people created this beautiful thing with something greater in mind, some kind of hope for humanity. And I find that human hope extraordinarily powerful. However, I don't think I'll ever get on board with the whole 'relics' thing.
The Baptistry was also very very awesome. A baptistry, if you hadn't figured out, is where people get baptized. And for some reason you need a whole other building for it. But I'm not complaining. The Baptistry is awesome awesome awesome. Both it and the Duomo have these fantastic, tall, carved pulpits, with columns that rest on lions backs, and a big eagle holding a book open on it's wings (that's where you put the papers for preaching fire and brimstone). It's an eagle because one of the Four Evangelists (I forget which one) is an eagle, because of being able to see the future and etc. There was a lovely mosaic pattered floor, and stained glass, a lot of which was broken. We climbed up into the upper level, and as we were taking in the just massive size of this place, a man came in and started singing. Only it wasn't really singing - he stood in the middle and called out notes in different directions and made a song all by himself. It was so so gorgeous, and gave me shivers. I managed to get a video - thank god for my camera and the video button that just automatically starts recording. I would like to apologize to a certain amateur documentary director for mocking his incessant filming before I arrived.
The Baptistry was also very very awesome. A baptistry, if you hadn't figured out, is where people get baptized. And for some reason you need a whole other building for it. But I'm not complaining. The Baptistry is awesome awesome awesome. Both it and the Duomo have these fantastic, tall, carved pulpits, with columns that rest on lions backs, and a big eagle holding a book open on it's wings (that's where you put the papers for preaching fire and brimstone). It's an eagle because one of the Four Evangelists (I forget which one) is an eagle, because of being able to see the future and etc. There was a lovely mosaic pattered floor, and stained glass, a lot of which was broken. We climbed up into the upper level, and as we were taking in the just massive size of this place, a man came in and started singing. Only it wasn't really singing - he stood in the middle and called out notes in different directions and made a song all by himself. It was so so gorgeous, and gave me shivers. I managed to get a video - thank god for my camera and the video button that just automatically starts recording. I would like to apologize to a certain amateur documentary director for mocking his incessant filming before I arrived.
Now, apparently back in the day, the place to go in Pisa, the real tourist attraction was the Campo Santo. There were a huge number of Roman sarcophagi there that the Pisans studied to learn how to sculpt and do art and so forth. Reasons Pisa was awesome back in the day. They are all gathered in this long enclosure with a lovely grassy courtyard in the middle, and there are real tombs of Pisans in the floor. A couple were even from the last 20 years. It used to be that on the outside walls (which have blind arches on the outside - on the courtyard side, the arches have fantastic latice work at the tip), there were these wonderful frescoes. But during WWII, the Allies thought the Germans were stockpiling weapons and using the Tower for observation. There was a plan to bomb it, but the story I've heard goes that the dude changed the coordinates so as to not destroy the tower, and instead (whether intentionally or not), firebombed the Campo Santo. The roof lit on fire, and was covered in molten lead, destroying pretty much all of the fresco. The are remnants of a number of them on the walls, but there are only two that are really still intact - "The Triumph of Death" and "The Last Judgement". It's extraordinarily sad, because it's a very impressive building, but it would have been so much more impressive with the frescoes all around. And in the last judgement, angels are pulling souls out of of tombs at the bottom, which, because of the actual tombs on the floor in the Campo Santo, would have been really impressive and pretty darn freaky. Plus, the devil in 'The Last Judgement' eats sinners, ahem... expels them again out the other end and the process starts all over again. In 'The Triumph of Death', there are these angels who point at these ladies with their arrows, infecting them with plague (but not THE Plague - this was before). I get this little cruel chuckle every time I see it, because they don't know they're going to get sick and die. It's very evil of me.
There are also two museums, which were neat, but not as neat. One was the Museo dell'Opera, which I won't talk about because it was not particularly interesting except for a collection of engravings a dude did of the frescos in the Campo Santo in the early 1900s, late 1800s. The other museum was the Museo delle Sinopie, which is where they've stored all the sketches that were discovered under the frescos of the Campo Santo after the bombing. That was pretty darn cool - they're all painted on in this red paint, and it's pretty cool to see the planning, and also a sort of hint at the frescoes that were destroyed.
So, you would think that after this our day would be done, what with getting up at the crack of dawn. But you would be wrong. We had a glass of wine in Pisa, which is very grungy and gross compared to Siena - it's super touristy, so that doesn't help. The Piazza dei Miracoli was lovely, but the rest was not. Anyway, we hopped on another kind of grungy train back to Siena, and seven of us wandered up to this restaurant we'd spotted a few days earlier to have dinner. It was about 9 when we arrived, and 11ish when we left. I had a lovely pasta with Sienese boar ragu, and we shared some cured meats and bruschetta for an appetizer, and demolished two bottles of prosecco between the seven of us. Which I had never had before, and adored. It's like a ballet of bubbles on your tongue! It all felt very adult - some people even had two courses, which is just not really a thing in N. America.
The moral of the story is that by the time I got home, riding on the last bus at 12:20, (because they don't run from about 10:20 until 12:20) with all the young Italians going off to the discoteca and the pubs, I was almost dead. But I managed to stay awake and upload some photos onto Facebook, and even chatted for a bit with a couple people back home. I slept in this morning until 10:30, which is extraordinarily late for me since I've been here. One of the best parts of going to Pisa though, was realizing how lucky I am to be in Siena - it was so nice to come home.
<3
ps. There would be pictures, but the internet won't upload them here, so if you'd like to see and you DON'T have me on Facebook, let me know and I'll send you the highlights.